Flow.

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Meander.

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Infinite.

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Anonymous.

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Blur.

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A window.

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Into the future.

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If the process of designing is a dream; the drawing is the awakening. These soliloquies celebrate the ‘infinitude’ and the curious craft that architecture is. I once read somewhere that ‘Drawing can be phenomenological’ and that single idea has set my attachment to sketching stronger. Since then I have immersed myself in the process of producing drawings. I call these drawings ‘Soliloquies’ because they reflect the conversations I have with myself about spaces, architecture, and the environment. The soliloquies intend to develop new expressions towards architectural objects and creative atmosphere, so when one sees the curves, they are not just curves on paper and restricted to two-dimensional graphics but curves as three-dimensional objects floating in the space and sometimes forming the space too.

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Edmund Husserl invented a new category of geometry that was neither inexact - nor unmeasurable and unrepeatable - nor exact - or reducible and repeatable - but was instead "anexact yet rigorous," meaning measurable yet irreducible and therefore unrepeatable. Vague types such as the round, dented, elongated, lens-shaped, and umbilliform provided the measurable variations from which a reduction to invariant types could be performed. These soliloquies take a stance on the idea of ‘Anexact Morphologies’ and try to suspend the reality of spaces that we usually see around us and embrace the allure and mystery of things that are not fully understood.